Critical Corner: Ilang-Ilang
In this edition of Critical Corner, a review of Ilang-Ilang, a new Filipino ghost story play debuting at Basement Theatre.
Critical Corner: Boots
In this edition of Critical Corner, a review of Netflix’s muddled new gay-slash-military-slash-coming of age drama, Boots.
It took
The Celebrity Traitors finally converted me
... or how I learned to love the show that is apparently super easy to love.
The past two years have
Critical Corner: Roofman, The Ghost of Yōtei
In this edition of Critical Corner, reviews of Channing Tatum's new film Roofman and new PS5 exclusive Ghost of Yōtei.
Critical Corner: One Battle After Another
In this edition of Critical Corner, a review of Paul Thomas Anderson's One Battle After Another, which continues a near-unparalleled reign of "so much"-ness.
Critical Corner: The Monster in the Maze
In this edition of Critical Corner, a review of New Zealand Opera’s The Monster in the Maze, an adaptation of the Greek Minotaur myth.
Critical Corner: Bic Runga with Auckland Phil; The Paper
In this edition of Critical Corner, reviews of Bic Runga performing with Auckland Phil and The Office spinoff The Paper.
Arts criticism in Aotearoa is comatose
A little rant about the state of criticism – mostly theatre – in this country, from someone who has written far too many reviews.
Down the awa: How Taniwha made its way to the stage
A conversation with the makers behind Silo Theatre's Taniwha about the special process that led to the making of a very special show.
